Schopenhauer On Kant and Scholasticism

In his essay, “Criticisms of The Kantian Philosophy” (Chapter: Appendix; The World as Will and Representation, Volume 1), Arthur Schopenhauer notes that scholasticism lasted for 1400 years before Immanuel Kant, but this would mean that scholasticism predates Thomas Aquinas, and that the scholastic system got manifested towards the end of the Roman Empire when there was a significant rise in the power and influence of Christianity. Here’s an excerpt:

"That Kant's great achievements were bound to be accompanied by great errors is easy to understand on merely historical grounds. For although he effected the greatest revolution in philosophy, and did away with scholasticism, which in the above-mentioned wider sense had lasted for fourteen hundred years, in order really to begin an entirely new third world-epoch in philosophy, the immediate result of his appearance was, however, in practice only negative, not positive."

According to Schopenhauer, Kant was unable to break away from scholasticism in every region of his philosophy. As an example of the bad segments in Kantian philosophy which are reminiscent of a scholastic mindset, Schopenhauer mentions the chapter on the Transcendental Ideal in Kant’s The Critique of Pure Reason.  “There now follows the chapter on the Transcendental Ideal, which at once takes us back to the rigid scholasticism of the Middle Ages.” 

Schopenhauer On Kant's Writing Style

In his essay, “Criticisms of The Kantian Philosophy” (Chapter: Appendix; The World as Will and Representation, Volume 1), Arthur Schopenhauer talks about Kant’s writing style:

"Kant's exposition is often indistinct, indefinite, inadequate, and occasionally obscure. This obscurity is certainly to be excused in part by the difficulty of the subject and the depth of the ideas. Yet whoever is himself clear to the bottom, and knows quite distinctly what he thinks and wants, will never write indistinctly, never set up wavering and indefinite concepts, or pick up from foreign languages extremely difficult and complicated expressions to denote such concepts, in order to continue using such expressions afterwards, as Kant took words and formulas from earlier, even scholastic, philosophy. These he combined with one another for his own purpose, as for example, "transcendental synthetic unity of apperception," and in general "unity of synthesis," which he always uses where "union" or "combination" would be quite sufficient by itself. Moreover, such a man will not always be explaining anew what has already been explained once, as Kant does, for example, with the understanding, the categories, experience, and other main concepts. Generally, such a man will not incessantly repeat himself, and yet, in every new presentation of an idea that has already occurred a hundred times, leave it again in precisely the same obscure passages. On the contrary, he will express his meaning once distinctly, thoroughly, and exhaustively, and leave it at that."

Schopenhauer laments that by his complicated style of writing, Kant legitimized the use of obscure language in philosophy and thereby enabled the madness of Hegel: "The public had been forced to see that what is obscure is not always without meaning; what was senseless and without meaning at once took refuge in obscure exposition and language. Fichte was the first to grasp and make vigorous use of this privilege; Schelling at least equalled him in this, and a host of hungry scribblers without intellect or honesty soon surpassed them both. But the greatest effrontery in serving up sheer nonsense, in scrabbling together senseless and maddening webs of words, such as had previously been heard only in madhouses, finally appeared in Hegel. It became the instrument of the most ponderous and general mystification that has ever existed, with a result that will seem incredible to posterity, and be a lasting monument of German stupidity."

Kant, Jacobi, and Wizenmann in Battle

For Immanuel Kant, it was difficult to stay out of the Pantheism controversy, when both sides in the dispute were maneuvering to enlist him as their ally. Those on the side of the “party of faith,” Johann Georg Hamann, Friedrich Heinrich Jacobi, and Thomas Wizenmann were eager for Kant’s support. On the other side were Moses Mendelssohn and his supporters, trying their best to cajole Kant to join them. With the intention of compelling Kant to join him, Jacobi declared in early 1785 that Kant was a “philosopher of faith.” Hamann tried to encourage Kant to launch an attack on Mendelssohn’s Spinozism. But after Mendelssohn’s death in January 1786, Kant came under pressure from Mendelssohn’s allies to speak out against Jacobi and avenge Mendelssohn’s death. In May 1786, Wizenmann published a tract in which he posited that all philosophy ends in Spinozism, and, therefore, atheism and fatalism cannot be avoided.

In his essay “Kant, Jacobi, and Wizenmann in Battle,” (Chapter 4; The Fate of Reason: German Philosophy from Kant to Fichte), Frederick C. Beiser makes the following comment on Wizenmann’s use of Kantian premises to make a case for religion:

Where Jacobi is vague and merely suggestive, Wizenmann is clear and bluntly argumentative. His argument is especially interesting since it begins with Kantian premises and then draws fideistic conclusions from them. In the hands of the pietists an essentially Kantian-style epistemology becomes a powerful weapon in humbling the claims of reason and uplifting those of faith. 

The main premise of Wizenmann's argument is his definition of reason, which he explicitly states at the very beginning. According to this definition, which is truly Kantian in spirit, the task of reason is to relate facts, that is, to compare and contrast them, or to infer them from one another. But it cannot create or reveal facts, which must be given to it. Appealing to Kant's criticism of the ontological argument, Wizenmann advances the general thesis that it is not possible for reason to demonstrate the existence of anything. If we are to know that something exists, then it has to be given to us in experience. Of course, it is possible to infer the existence of something, but only when the existence of something else is already known. All inferences are only hypothetical in form, Wizenmann explains, such that we can infer the existence of one thing only if another is already given. Hence Wizenmann concludes in the manner of Kant that there is a twofold source of knowledge: experience, which gives us knowledge of matters of fact; and reason, which relates these facts through inference. 

On the basis of this Kantian definition and distinction, Wizenmann builds his case for positive religion. 

Wizenmann’s tract served the purpose of making Kant aware that Jacobi and Mendelssohn were heading in the direction of irrationalism and he had to intervene. But there were several other pressures that finally goaded Kant into action—with Jacobi and Mendelssohn trying to appropriate him for their own cause, Kant ran the risk of being seen as either a philosopher of faith or a philosopher of dogmatic fanatical atheism. He disagreed with both the stances. In October 1786, Kant published his first contribution to the Pantheism controversy, an essay called “What Does it Mean to Orient Oneself in Thinking?”  Here’s Beiser’s perspective on the stand that Kant took on the Pantheism controversy in his essay:

In this essay Kant takes a middle position between Jacobi and Mendelssohn. He accepts some of their principles but refuses to draw such drastic conclusions from them. On the one hand, he agrees with Jacobi that knowledge cannot justify faith; but he disagrees with his conclusion that reason cannot justify it. On the other hand, he concurs with Mendelssohn that it is necessary to justify faith through reason; but he does not accept the conclusion that to justify faith through reason demands knowledge.  

What allows Kant to steer a middle path between Jacobi and Mendelssohn is his denial of one of their common premises: that reason is a faculty of knowledge, a theoretical faculty whose purpose is to know things-in- themselves or the unconditioned. Resting his case upon the central thesis of the second Kritik, which would appear only fourteen months later in January 1788, Kant assumes that reason is a practical faculty: it does not describe the unconditioned, but prescribes it as an end of conduct. Reason prescribes the unconditioned in either of two senses: when it commands us to seek the final condition for a series of conditions in nature; or when it commands us categorically to perform certain actions, regardless of our interests and circumstances. In both these cases the unconditioned is not an entity that we know, but an ideal for our conduct, whether that be scientific inquiry or moral action. By thus separating reason from knowledge, Kant creates the opportunity for a rational justification of faith independent of metaphysics. 

At the very heart of Kant's essay is his concept of 'rational faith' (Vernunftglaube). This he defines as faith based solely on reason. 

By invoking the notion of “rational faith” Kant was trying to stay on the path that ran between Mendelssohn’s dogmatism and Jacobi’s mysticism. At the same time, Kant was holding that both Mendelssohn and Jacobi are guilty of undermining reason, which, according to him, must be the final criterion of truth in philosophy. While accusing Jacobi and Wizenmann of irrationalism, Kant was declaring that  only critical philosophy can uphold reason. In February 1787, four months after the publication of Kant’s essay, Wizenmann wrote an open letter to Kant—in it he rebutted Kant’s charges and pointed out the deficiencies in the Kantian concept of practical faith. Jacobi too realized that Kant would never join his cause, and he penned his own criticism of Kantian philosophy.

On Jacobi’s attack on Kant, Beiser says:

Jacobi sees Kant's philosophy, especially as it is consistently and systematically developed by Fichte, as the paradigm of all philosophy—and hence as the very epitome of nihilism. Jacobi's attack on philosophy has now become first and foremost an attack on Kant, and in particular on Fichte, whom Jacobi sees as nothing more than a radical Kantian.

Hiranyagarbha: The Founder of the Yoga System

Patanjali has compiled the teachings of Yoga in his Yoga Sutras. But he is not the founder of the Yoga system, which is an ancient practice predating him by several millennia. Vācaspati Miśra, the ninth century philosopher of the Advaita Vedanta tradition, notes that, according to the Yajnavalkya Smrti, which has been dated between the third and fifth centuries AD, and belongs to the Dharmasastras tradition, Hiranyagarbha is the original teacher of Yoga. That is why Patanjali begins his Yoga Sutras with the following aphorism:

अथ योगानुशासनम् ॥१॥

(atha yoga-anuśāsanam)

The prefix “anu” indicates that the aphorisms in the Yoga Sutras are a continuation of an earlier activity which is indicated in the suffix “śāsanam” (teachings of Yoga). The term “atha” means now and the entire aphorism can be roughly translated as: “Now, the teachings of Yoga [follow in this treatise]”. 

The Mahabharata too identifies Hiranyagarbha as the founder of Yoga. In Puranic literature (the Bhagavata Purana), Hiranyagarbha is regarded as Brahma, the creator god of Hinduism, who is born on the lotus sprouting from the navel of Vishnu when Vishnu is reclining on the divine serpent Sesa which floats on the cosmic waters pervading the entire universe before creation. (Patanjali is described as the reincarnation of Vishnu’s divine serpent Sesa.) When Hiranyagarbha awakens in the lotus, he is confused and disoriented—he has no means of knowing anything. He manages to calm his mind and entering into a stage of Yoga (samadhi), he attains the divine vision of Vishnu. Thus Hiranyagarbha became the first practitioner of Yoga, and the founder of the Yoga system.

In the Shvetashvatara Upanishad, which is embedded in the Yajurveda, Kapila, the founder of the Samkhya system, is identified as Hiranyagarbha. Another interesting portrayal of Hiranyagarbha is found in the account of primary creation of the universe given in the Matsya Puraṇa—here Hiranyagarbha is depicted as the golden womb (cosmic egg) inside which Brahma creates himself. Since he creates himself, this Brahma is called Svayambhu, (the self-manifested).